By the age of seven Fryderyk had begun giving public concerts, and in he composed two polonaises, in G minor and B-flat major. Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as playmate to the son of the ruler of Russian Poland, Grand Duke Constantine; he played the piano for the Duke and composed a march for him.
From September to Chopin attended the Warsaw Lyceum. Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. The success of this concert resulted in his being asked to give a similar recital on the instrument before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent eolomelodicon concert on 10 June , Chopin performed his Rondo Op.
During —28 Chopin spent his vacations away from Warsaw, at a number of locales. In and , at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate. Here for the first time he encountered Polish rural folk music. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May revealed that the slow movement adagio of his Piano Concerto No.
In September Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise brillante in C major for cello and piano, Op. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna.
Later that month, in Warsaw, the November Uprising broke out, and Woyciechowski returned to Poland to enlist. Chopin arrived in Paris in late September ; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration.
In France he used the French versions of his given names, and after receiving French citizenship in , he traveled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French.
In Paris, Chopin encountered artists and other distinguished figures, and found many opportunities to exercise his talents and achieve celebrity.
Chopin was also acquainted with the poet Adam Mickiewicz, principal of the Polish Literary Society, some of whose verses he set as songs. At the end of , Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. A genius. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons social gatherings of the aristocracy and artistic and literary elite.
By the end of Chopin had established himself among the Parisian musical elite, and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe.
This freed him from the strains of public concert-giving, which he disliked. Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons, but preferred playing at his own Paris apartment for small groups of friends. Examples include a concert on 23 March , in which Chopin, Liszt and Hiller performed on pianos a concerto by J.
In Chopin went to Carlsbad, where he spent time with his parents; it was the last occasion he would see them. He had made the acquaintance of their daughter Maria in Poland five years earlier, when she was eleven. This meeting prompted him to stay for two weeks in Dresden, when he had previously intended to return to Paris via Leipzig.
In October he finally reached Leipzig, where he met Schumann, Clara Wieck and Felix Mendelssohn, who organised for him a performance of his own oratorio St. Chopin went on to Leipzig, where he presented Schumann with his G minor Ballade.
At the end of he sent Maria an album in which his sister Ludwika had inscribed seven of his songs, and his Nocturne in C-sharp minor, Op. The anodyne thanks he received from Maria proved to be the last letter he was to have from her.
You would not believe how curious I was about Herz, Liszt, Hiller, etc.. They performed together on seven occasions between and Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Memorial in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April Although the two displayed great respect and admiration for each other, their friendship was uneasy and had some qualities of a love-hate relationship.
Is she really a woman? On his return to Paris, his association with Sand began in earnest, and by the end of June they had become lovers. However, after discovering that the couple were not married, the deeply religious people of Majorca became inhospitable, making accommodation difficult to find.
This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather. It finally arrived from Paris in December. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather and the Palma customs. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts. The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced.
He frequently visited Sand in the evenings, but both retained some independence. Chopin was reportedly unimpressed with the composition and disliked it. During the summers at Nohant, particularly in the years —43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition.
Delacroix gives an account of staying at Nohant in a letter of 7 June The hosts could not be more pleasant in entertaining me.
When we are not all together at dinner, lunch, playing billiards, or walking, each of us stays in his room, reading or lounging around on a couch. Sometimes, through the window which opens on the garden, a gust of music wafts up from Chopin at work. All this mingles with the songs of nightingales and the fragrance of roses. From onwards, Chopin showed signs of serious illness. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.
Whereas in he had written a dozen works, only six were written in and six shorter pieces in In he wrote only the Op. In February , with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op. In April, during the Revolution of in Paris, he left for London, where he performed at several concerts and at numerous receptions in great houses. This tour was suggested to him by his Scottish pupil Jane Stirling and her elder sister.
Stirling also made all the logistical arrangements and provided much of the necessary funding. In London Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. Broadwood also arranged concerts for him; among those attending were Thackeray and the singer Jenny Lind.
At a concert on 7 July he shared the platform with Viardot, who sang arrangements of some his mazurkas to Spanish texts. Stirling clearly had a notion of going beyond mere friendship, and Chopin was obliged to make it clear to her that this could not be so. He was at this time clearly seriously ill, weighing less than 99 pounds 45 kg , and his doctors were aware that his sickness was at a terminal stage. At the end of November, Chopin returned to Paris. He passed the winter in unremitting illness, but gave occasional lessons and was visited by friends, including Delacroix and Franchomme.
Occasionally he played, or accompanied the singing of Delfina Potocka, for his friends. During the summer of , his friends found him an apartment in Chaillot, out of the centre of the city, for which the rent was secretly subsidised by an admirer, Princess Obreskoff.
Here in June he was visited by Jenny Lind. With his health further deteriorating, Chopin desired to have a family member with him. Some of his friends provided music at his request; among them, Potocka sang and Franchomme played the cello. Chopin requested that his body be opened after death for fear of being buried alive and his heart returned to Warsaw.
On 17 October, after midnight, the physician leaned over him and asked whether he was suffering greatly. His death certificate gave the cause as tuberculosis, and his physician, Jean Cruveilhier, was then the leading French authority on this disease. The terminal symptoms of pulmonary tuberculosis resemble those of cystic fibrosis, which would be described and named only a century later; but in the 19th century, in the absence of modern respiratory therapy and medical support, survival with cystic fibrosis to age 39 was virtually impossible.
The funeral, held at the Church of the Madeleine in Paris, was delayed almost two weeks, until 30 October. Entrance was restricted to ticket holders as many people were expected to attend. Over 3, people arrived from as far as London, Berlin and Vienna without invitations and were excluded. The pallbearers included Delacroix, Franchomme, and Camille Pleyel. She also took a collection of two hundred letters from Sand to Chopin; after these were returned to Sand, who seems to have destroyed them.
By , he had composed several piano pieces in different styles, and his parents enrolled him in the Warsaw Conservatory of Music, where he studied for three years under Polish composer Josef Elsner. However, sensing he needed a broader musical experience, Chopin's parents eventually sent him to Vienna, where he made his performance debut in Audiences were enthralled with his highly technical yet poetically expressive performances.
There he quickly established relationships with other young composers, among them Franz Liszt , Vincenzo Bellini and Felix Mendelssohn. While in Paris, Chopin found his delicate style didn't always enthrall the larger concert audiences, who had been exposed to the works of Franz Schubert and Ludwig van Beethoven.
A fortuitous introduction to the Rothschild family opened new doors, however, and Chopin soon found employment in the great parlors of Paris as both recitalist and teacher. His increased income allowed him to live well and compose such pieces as Nocturnes of Opp. Though Chopin had had youthful love affairs and was at one time engaged, none of his relationships lasted more than a year.
The couple spent a harsh winter on the Spanish island of Majorca, where Chopin became ill. In March , Sand realized that Chopin needed medical attention and took him to Marseille, where he was diagnosed with consumption tuberculosis. The next seven years proved to be the happiest and most productive period of Chopin's life. The growing demand for his new works and his greater understanding of the publishing business also brought increased income and provided Chopin an elegant lifestyle.
By the mids, both Chopin's health and his relationship with Sand were deteriorating. His skill at improvisation was legendary. Many of his compositions would have started life in such moments of spontaneity at the keyboard. During his two last years, he depended still more on his teaching, though worsening health made this ever harder.
A Scottish pupil, Jane Stirling, persuaded him to visit Britain, and in London he gave his last public concert: a special event to raise money for Polish refugees.
He died in Paris aged only Chopin left a tremendous impact on piano music, not only among contemporaries such as Liszt and Schumann, but for decades to follow. Like Liszt, Chopin extended the demands placed on performer and instrument alike. He rarely sought display for the sake of it.
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